Camille Pissarro

Don't proceed according to rules and principles, but paint what you observe and feel.

                               -Camille Pissarro




Pissarro, Camille Jacob (1830-1903),

        Camille Pissarro was a French impressionist painter, whose friendship and support provided encouragement for many younger painters. Pissarro was born in Saint Thomas, Virgin Islands, and moved to Paris in 1855, where he studied with the French landscape painter Camille Corot. At first associated with the Barbizon school, Pissarro subsequently joined the impressionists and was represented in all their exhibitions. During the Franco-Prussian War (1870-1871), he lived in England and made a study of English art, particularly the landscapes of Joseph Mallord William Turner. For a time in the 1880s Pissarro, discouraged with his work, experimented with pointillism; the new style, however, proved unpopular with collectors and dealers, and he returned to what he found to be a freer impressionist style.
         A painter of sunshine and the scintillating play of light, Pissarro produced many quiet rural landscapes and river scenes. He also painted street scenes in Paris, Le Havre, and London. An excellent teacher, he counted among his pupils and associates the French painters Paul Gauguin and Paul Cézanne, his son Lucien Pissarro, and the American impressionist Mary Cassatt. Of Pissarro's great output (including paintings, watercolors, and graphics), many works hang in the Musée d'Orsay, Paris, and in the leading galleries of Europe. The Metropolitan Museum of Art, New York City, has his Bather in the Woods (1895).

SOURCE:  "Pissarro, Camille Jacob," Microsoft(R) Encarta(R) 96 Encyclopedia.
 
 

    Le verger (The Orchard), 1872, Oil on linen, National Gallery of Art, Washington.
 

   Gelee blanche (Hoarfrost), 1873, Oil on canvas, Musee d'Orsay, Paris.
 

    Les chataigniers a Osny (The Chestnut Trees at Osny), c. 1873, Oil on canvas, Private collection, New Jersey.
 

   Red Roofs, 1877, Oil on canvas, Musee d'Orsay, Paris.
 

    The Shepherdess (Young Peasant Girl with a Stick), 1881, Oil on canvas, Musee d'Orsay, Paris.
 

    Apple Picking at Eragny-sur-Epte, 1888, Dallas Museum of Art.
 

   Haymakers Resting, 1891, Oil on canvas, McNay Art Institute, San Antonio, TX.
 

    Two Young Peasant Women, 1892, Oil on canvas, Metropolitan Museum of Art, New York.
 

    Countryside & Eragny Church and Farm, 1895, Musée d'Orsay, Paris.
 

   Boulevard Montmartre: Night, 1897, Oil on canvas, National Gallery, London.
 

   Boulevard Montmartre: Rainy Weather, Afternoon, 1897, Oil on canvas, Private collection.
 

   Avenue de l'Opera, Place du Theatre Francais: Misty Weather, 1898, Oil on canvas, Private collection, New York.
 

   Avenue de l'Opera: Morning Sunshine, 1898, Oil on canvas, Private collection, Philadelphia.
 

    La Foire a Dieppe, matin, soleil (The Fair in Dieppe, Sunny Morning), Oil on canvas, Formerly collection Otto Krebs, Holzdorf.
 
 

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